My first electric guitar was an F-hole Suzuki acoustic
guitar. I bought an external pick up and
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A 1960 Suzuki Guitar |
screwed it onto the guitar. There was no
proper amplifier so I just plugged it into the back of our Philips radio and played on gleefully. Now this was in 1960 by the way. The “new”
electrified sound thrilled me and many of our contemporaries who did the
same. A radio shop Chinese technician
built his own amplifier with the tubes open and visible. It had 3 inputs and we plugged three guitars
to it for the bass, rhythm and lead guitars.
By today’s standards this would be something of a cave-dweller’s gadget. By 1962, the same technician had developed
his own tremolo channel…quite an ingenuous chap he was. By that time some of
bands in KL and Penang were already using the early Gibson and / or Fender
amplifiers which I could not afford. I
used a Fender amplifier complete with tremolo effects at a recording at Radio
Malaya Melaka once and it was an exhilarating experience.
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Notice Reverb Unit and the William's amp at bottom right |
In 1964, there was a company in KL named Williams and if I
am not mistaken became Bentleys later. If I am not mistaken Uncle Ho of SES Sound has his roots from Williams. This company made their own amplifiers with Goodman speakers and my band
bought two of them using our savings from our gigs. One was a bigger one with two 12 inch Goodman
speakers inside. In 1963 a friend of
ours bought an external reverberation unit with a spring inside that generated
the reverb effects. I remember using it
to play “Telstar” by The Ventures. While
playing the guitar, I “kicked” the reverb unit and we got “space effx”. Of course these were tricks to sound
different from the other bands and competitors.
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The much coveted Swiss Tape Echo Unit |
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The Schaller Disc Echo Unit |
Then in 1964 the tape echo units became available and
brought a new dimension to guitar players to sound like the Shadows. The best one was the Swiss Echo and that cost
some $ 800 which was like paying RM 10,000 today….a good second hand car cost
that much. There was another option - The Schaller Echo unit which also cost about $700. As usual I lost out on buying either one and settled for a Watkins Copicat that cost about half of that amount. This is the unit that I used for all my commercial
audio recordings with The Jayhawkers and TV appearances.
Later on the wah-wah pedal made its appearance and I bought
one. At about the same time the fuzz-box
also became available and this became a must for playing rock music even then. The last one I bought was a Roland Phaser in
the late 70’s.
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The Roland Phaser |
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A Modern Guitar Effects Rack |
These days, I am happy
playing the guitar only with a little reverb and some delay effect. Of course many of these gadgets for guitars are taken for
granted but if one has gone through what I have gone through, only then would
one begin to understand and appreciate the wonderful array of guitars and
effects that are available today.
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